Showing posts with label Blue Faced Leicester Wool. Show all posts
Showing posts with label Blue Faced Leicester Wool. Show all posts

Wednesday, April 24, 2013

Immersion Multi Colour Dyeing

  I get a lot of emails/messages with questions about techniques and ideas, and sometimes it takes me a really long time to answer them....Usually because I want to answer thoroughly and have difficulty setting aside the time to do so. I thought I'd answer some of your questions here, as the information may be of interest to others as well....



When I am dyeing my felt work, silks for felting, or yarns for my fibre company, I most often use a simple immersion technique for achieving multiple colours. I enjoy the very hands on aspect of adding colours in this way, working directly over the dyepots, and adding dye as needed to the pots to achieve the exact colouring on the felt or fibres.


 I use a big dye pot, filled only with about 6 inches of water. Having only a small amount of water keeps the majority of the fibers out of the dyebath without having to hold the fibres high up above the bath.



 I add the acid and the dyes to that bath. I usually use citric acid, available for relatively low cost at brew your own wine and beer shops, but do use ordinary vinegar in a dyeing emergency when I have run out! The citric acid does not have the strong smell of the vinegar and is less expensive if you are doing a lot of dyeing.  I mix up my dyes in a measuring cup with some water, to ensure the dye powders are entirely in solution, then add the dye to the bath. To dye a small section of yarn, a medium to deep colour, dyeing six skeins at a time, I will use about 1/2 teaspoon of dye powder. (Note: be sure that work with the dye powders in a well ventilated area, wearing a dust mask!)


I dip only a small section of the wool into the pot at a time, and leave that colour to steam and exhaust the dye bath completely, before rotating the skein and dyeing the next section.  For this tutorial, I am dyeing my Seaglass colourway, and have dyed the top 4 -6 inches in tobacco, then the bottom 4-6 inches in silver grey. The yarns are quite damp, because I want to colour to migrate up the skeins a bit, to get a graduated colour shift. The dyeing shown here will produce a yarn that is predominantly turquoise blues, with small sections of grey, green, and ochre.



  I don't rush the process at all....I make sure that each section is fast before moving on...but much of this time is passive so I can work on other projects while the dyes are setting. Sometimes I create a hanging rack to suspend the yarns over the dyepot, but if I am working only on small batches or on felt pieces, I position the fibres at the desired depth in the dyebath, place the lid on top of the pot, and drape the extra fibres over the top if the lid. In this way only the section I need to be dyeing and setting remain in the pot, and my hands are free to do other things.   The colours in any previously dyed sections are already set, so the colours will not bleed out in any way on the rest of the fibres.  It's all very low tech....but simple and highly functional for me in my studio.


Here are the results so far. Each end is dyed in a neutral colour. Now I will dye it in the main colour, a handblended mix of blues.


 Both of the dyed ends are looped over the spoon, so that both undyed sides of the yarn can be immersed in the bath. I have added extra water to the dye pot now as there is more fiber to be immersed.

 An initial dipping, to get a basic coverage, plus get a light, transitional overdyeing at the ends.


Now I will leave most of the fibres in the dyebath to develop the colour and set.
I just use my trusty wooden spoon to hang the fibers over the dyebath. I cover it with the pot lid and leave at a low simmer for about 20 minutes then turn off and leave until the dye bath is exhausted. Then rinse as usual.



I plan my colourways so that there will be small amounts of overdyeing in each section. Blues and reds I always dye last, and leave overnight in the dye bath to ensure they are very well set. 




Using this immersion technique,  I can get a handpainted effect, but without the sponges/brushes/applicators, or the use of plastics to wrap it all up in to steam set.  I handpaint only occasionally if I need only a very short run of colour- so short I can not achieve it through immersion.  

I have found I can have up to 5 different dye applications on an ordinary skein of yarn, so with all the over dye effects also, that is an amazing range of colour....

This method also works very well with natural plant dyes....

 After the dyeing process is complete, I usually reskein my yarns, as customers love to see the colours blended together in the skein. It looks more as it will when knit or woven. Reskeining feels like the completion of the process for me- it tidies up any loose thread.....

I hope this is helpful....in writing this I came across my notes that are part of a dyeing class I teach.  I'll post the introduction to acid dyeing here next...a little backward...but better written than not! 

 Also coming up, tips on felt bag making, and fibre arts and internet....
But for now back to the felting table!

Warm wishes,
Fiona

Tuesday, November 6, 2012

Golden in the (Felt) Garden

 Wow. What a golden month it has been....gold in colour and experience.  This was our shimmery lake view from the cottage in Quebec where the first Fall felting retreat was hosted.

  Oh so busy, and the busier things are here, the less I write about it all....I know others manage to keep it all going- the doing and the writing about the doing, and I am so respectful.....but this moment of life for me is about engaging inner passions, not disciplines! That has come and gone and can come again later!

Eco-printing on Day 1, with flora from the farm

Fall Felting Retreats went well.....with lots of learning for both the participants and the teacher.....My main lessons- comfort takes precedence over beauty (at least in our teaching spaces), and sometimes, less can be more.  I arranged the class days with great planning, mainly in order to convey as much as I possibly could, while pacing my own energies to be able to deliver, but have learnt from these retreats to re-evaluate how much is enough- and to also, and more importantly, pace the class to the energies of my students.  A three day retreat is very different from three days of intensive workshops.  Next years retreat sessions will have a different format, to accomodate our best learning and doing rhythms...
  So....lots of learning, and much, much beautiful making with two incredible groups of creative people. Thank you all for coming! I wish I had some images of the finished works to show you- the surface design tapesties are all stunning and very unique, and the bags....again- wow- so much diversity in design choices.....they were fabulous!  I only managed to take 3 pictures from both retreat sessions- lots going on!


  I have one more Fall Felting Retreat session coming up in Nelson, BC, on November 16, 17, and 18th.   I'm very much looking forward to this time and place. A week in the beautiful Kootenays- can't wait!

  In the midst of these retreats, I've been able to do some new felting...my own projects including lots more "joomchi" pockets and layers, as well as felting with friends including storytelling carpets and gorgeous BFL cowls-yum! I have pictures to share with you as soon as I get my battery charged....that is my camera battery....I'm personally now feeling fully recharged and ready to go!

Happy November!
Fiona

Wednesday, August 8, 2012

New Felt Market Bag

  
The day started out with this...a blank canvas...perfect white simplicity.....ready for some colour play...Two layers of blue faced leicester, then two layers of Finn...BFL on the inside for a soft hand as you reach in and Finn on the outside for more durability. The finished texture is very nice....an inside pocket, metal rings felted directly onto the bag, and some ties for closure, also part of the one integral whole....I love this... that the structure is complete at the end of the felting....

Then I hit the dyepots...It was a good dyeing day....three separate immersion dips, creating bold patterns with subtle shifts....Mmmmmm....


  And then the stitching...so simple...some running stitch and french knots...hard to do because I cut off the tip of my thumb last weekend.....A thumb is pretty important to french knot making...I must be more careful when cooking when hungry! I have a lot more french knots in my future!  Warm and delectable....a little bit Autumnal....a departure in colors for me...and such a welcome change...inspired by a commission for a customer in Germany...it is good to stretch...
  Warm wishes,
Fiona

Friday, April 13, 2012

New Purses

I really love this new dye pattern....I'm seeing it on one whole collection...purses, scarves, jackets...I so want to make the jacket!  I'll be selling these all summer at the studio, and this winter at the shows....

 These are all made with Blue Faced Leicester rovings...all in white then dyed after....Beautiful leather straps added. It was a challenge to figure out the best way to sew in the zippers, other than by hand. Each clutch has a little pocket inside for cell phones or individual necessities....Just the right size. I want one....


  Here they are shown in my display for the Salt Spring Market....the first weekend was last week...and it is happening again tomorrow...but I've already decided not to go...and will spend some time with my friend, Amy Melious, being inspired by her loveliness...and then take the boisterous boys to the beach and enjoy the promised sunny day instead....That feels right! I received some fabulous news today, that I can't quite share...but allows me to feel justified in taking a day partially off for pure pleasure! I'll be making up some working time in the early mornings and evenings....

  And one more bag...again made with the BFL....


 I'll be starting on the four fibres bags tonight...
Hope you have a wonderful weekend!
Warm wishes,
Fiona



Monday, December 12, 2011

Felting with Wool Locks

Mmmmm...I've been wanting to work more with wool locks and felting...I got to play a bit with this with some new pieces I've been making for WinterCraft.
This is the layout for two scarves. I love laying out the layers of white. It's so serene amd perfect.  There is an underlayer of fine merino, then I used lengths of plastic resists since the locks are quite fine and would probably felt into the surface. On one side are Blue Faced Leicester Locks and on the other are Mohair. Then another layer of merino roving on top...Once the pieces were around the prefelt stage, I cut them apart, down the middle, so they could be finished individually and the cut line would felt also.

 This is the mohair lock scarf, with some shibori stitching done before dyeing. It's so nice to wear...and works well as a shoulder wrap also. It would so dramatic to wear with an evening dress....if one had occasion to do so!



I have some super amazing Racka locks I bought recently from Namaste Farms. I so want to try these out this way with a wild and black sweeping line of locks on a scarf.....or jacket! That is my planned birthday project! A new felt jacket.....

 Aren't these wild! I had never heard of Racka sheep until very recently. This came as a great reminder to get the Felt Gathering online project underway for January. Very Exciting!
Back to the studio and some little felted birds I am making...
Warm wishes,
Fiona


Monday, December 5, 2011

felt experiments

I have been  working, working, working in the studio recently, and will fill you in on all the details but in an effort to get back into the swing
of things here, a few playful pictures of one of today's projects:

Using different breeds of sheeps wool in balls and layers to create this awesome surface texure. Felt upholstery? Carpets? Art? Overdyed? So many possibilities. This illuminates in a most interesting way also.  This is one of a series of trials I am working on, expanding my repetoire of surface design elements in felt.  I didn't expect the mounds to stay quite so pronounced. 

This has East Friesian wool on the inside, and Blue Faced Leicester wool on the outside. Just a small sample for now....
But I'm looking forward to more... I'm quite taken by their perfect round and fluffy forms!

I'll be right back (at least in the next day or two!)!
Warm wishes,
Fiona